|
I'm
still learning how to use the
digital camera. I find that
the challenge is setting the
camera on "manual", but
I've got to do that if I use the
studio strobes -- the camera
simply can't figure out the
exposure. I'm getting better
at figuring out the exposure for
the digital camera, but I'm not
quite up to snuff yet. But
I'm getting closer. (If your
camera allows you to inspect the
histogram, that could be a great
help).
Oh,
by the way, Lindsay still looks
lovely, even after a couple of
hours of posing. |
This
actually is the steam room,
adjacent to the shower.
While the ceiling in the
shower is 9.5 feet tall, the
ceiling in the steam room is
lower, at 8 feet. But
with the pivoting LCD screen,
I can position the camera all
the way up against the
ceiling. That's
a particularly seductive look
on Lindsay's face. Also,
she has fine, long legs. |
|
|
All
this is fine, but the whole idea
is to get Lindsay wet, which we do
shortly after this
exposure.
(Of
course, getting the model wet is a
little scary -- water &
electronics don't mix well, and if
the strobe light gets wet, it can
explode. But we are careful
-- you should be, too). |
|
Keep
looking at these images. Not
only will you occasionally see
Lindsay's feet (I rarely show
feet, for no good reason), but
you'll also get to see her
freakishly large hands. |
I
feel like a kid again, or a
very young photographer.
Young photographers go crazy
for unusual angles, and I'm
doing this for these images.
Working
in the steam room is a
challenge. It's a large
steam room, but it's a small
studio space. From this
position, I could have easily
reached out & touched
Lindsay's ankle (I didn't, of
course -- there is no touching
during my sittings). And
sometimes, I just can't get
everything into the
image. Don't complain
about me cutting off Lindsay's
big toe -- it was an accident. |
|
|
I
figure that if you come up with a
good concept, you've got to commit
to it. I've been in the
steam room with a wet model
before, and I didn't want to
repeat past images. As an
artist, you've got to keep
stretching, trying new things,
experimenting. Sure, working
with a new model counts, but I
want to press myself. The
concept here is to use the
camera's lens at its widest
setting (equivalent to 28mm for
35mm cameras), and to embrace the
wide angle distortion. This
image, and the ones that follow,
are me & Lindsay pushing that
concept. |
I'm
playing with the angle,
utilizing the
pivoting/swinging LCD
screen. Here, we are
looking almost directly
up. You can see the
showerhead over Lindsay's
shoulder, and you can see the
ceiling of the steam room,
which is tiled & arched. |
|
|
One
bad thing about using the
pivoting/swinging LCD screen to
achieve interesting/unusual angles
is that it's difficult to hold it
straight.
It's
funny -- I believe that men &
women photographers tend to
compose images differently.
Men tend to be tied to gravity,
with one edge of the image being
perfectly horizontal or vertical,
while women don't mind. So,
the slant of the tile grout lines
bugs me a bit, but then again,
striding away from your comfort
zone can be a good thing, too. |
I
ask Lindsay to show me her
freakishly large hand.
(At
this point, Lindsay's hand is
just inches away from the
camera lens). |
|
Okay,
we've been in the shower for a
long time -- see?
Lindsay's skin has
air-dried. Time to wrap
things up.
I
make one final exposure of
Lindsay's freakishly large
hands. |
|
|
I
was pretty tired after this
sitting. Being charming &
entertaining & fun is hard
work. But I've got to say that I
had a great time working with Lindsay
-- this was a fun, fun, and productive
sitting.
I
was a little nervous about working
with Lindsay -- she had had
disappointing experiences with her
mainstream & adult modeling, but I
had nothing to worry about.
After the sitting, she told me,
"I sent the link to [her friend]
and he was impressed he said you made
me look like a women and not the sex
kitten most photographers portray me
as!" Given the kinds of
things I like to accomplish with my
sittings, this was a great
compliment. Thanks,
Lindsay!
|