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Part of the reason I
asked Leona to show up later in the afternoon for this sitting
was this lighting situation. At this time of year, there
is a rare patch of direct sunlight on my living room floor at
this time of day. Such harsh light is a challenge to use,
but it was so unique that I couldn't pass it up.
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This light was
fairly restrictive -- meaning, that it looked good
only for certain poses. We did some exposures
with Leona's hips turned more towards the camera, but
I didn't like them as much as these.
So, to try
something different, I asked Leona to turn around,
putting her feet towards the window. That
resulted in Boris Karloff lighting on her face, which
we corrected by positioning a reflector just off
camera to reflect some light back on her face.
The sun was bright at that moment.
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The sun
bouncing off that reflector was a powerful
thing. I asked Leona to stand between two of the
living room windows, and we lit her with the hard
light from the reflector. We were restricted
with the reflector position -- if we had raised it, it
would have lost the direct sun light. Thus, we
used the light that came from low down on the floor.
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Assessment: This lighting
is a bit radical for my style of photography, but hey,
it was there, so we used it. While not my best
work, these images are interesting, and I'm glad we
did them.
I continue to struggle with
my desire to return to studio settings. I would
love to get Leona into a studio with some more
controlled lights. Perhaps soon.
And I continue to enjoy the
time I spend with Leona. Look for more sittings
with her soon.
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(Remember -- feedback is always appreciated)
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