Page created June 14, 2004
It seems like Brooke went from clothed to nude in no time (the Getting Started page). I like this light, so we do a few variations, with Brooke sitting on the covered side table. | |||||||||||||||||||||||||
There's
a story about these two pictures above
-- notice anything? It's
one of those things that happen during
sittings: It wasn't until we made
the exposure on the left, above, that I
noticed that Brooke was wearing some
jewelry -- a necklace & a
ring. Maybe it's just me, but when
working with a nude model, I don't
typically like them to be wearing
jewelry -- jewelry style can date an
image, and in general, I'd prefer not to
have the distraction. I ask Brooke
to remove her jewelry & to repeat
her last pose (the image on the
right). She came pretty close to
getting the pose duplicated perfectly. The differences are subtle,
and that makes it interesting to view
these images side-by-side.
That image, above, is a sitting favorite.
I don't ask models to lie down often enough -- I'm usually photographing them sitting or standing. I should work on that. But Brooke looks good lying down, doesn't she? I love the barely visible curve at the small of her back, and I love how that arching of her back provides good tension to her whole torso. But here's something that I don't like. I don't think other photographers are as sensitive to this as I am, but I hate it when a limb is pointing towards the camera lens. Look at Brooke's upper right arm -- it looks a little distorted because it is pointed almost directly at the camera. Oh well, easily fixed -- see below.
This is the nature of a modeling session (at least one of mine). First comes the lighting setup, second comes a basic pose, and then finally we tune the pose, making minute improvements & variations. I like the pose above -- again, I like the arch in her back, but I think the pose can be improved. I ask Brooke to switch her legs, putting her right leg up & her left leg down.
Better! I like that she held her ankle with her hand -- it's always a good thing to keep a model's hands occupied. Faces are the most expressive part of a body, but hands are a close second. I should find ways to keep model's hands more busy. I also like how her knee & her elbow create interesting angles in the image.
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It's
funny: sometime during these
photographs, Brooke commented that she
hasn't had much opportunity to pose
for "fine art" photographs;
she typically poses for more
"glamour" type
photographs. I always thought
that my "fine art"
photography had more than a little
"glamour" in it, so I ask
Brooke what's the difference between
"fine art" &
"glamour" modeling.
She thought for a moment and replied,
"More makeup". I
thought that was a marvelous
answer. I assure her that she's
doing terrifically -- it's always a
good idea to give models feedback;
they don't know what you want or
whether they are providing it, and
it's your job to let them
know.
Brooke is proving to be a dream to photograph. She is beautiful, she looks good at many angles, she takes direction well, she's up for anything, and she was fun to be around. I move in for some closer images. This sitting continues on the Sensuous & Close page.
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(Remember -- feedback is always appreciated)