Ashley
is a new-to-me local model; she's been
on the scene for a little while, but
we finally connected for this first
sitting together.
As
it turns out, Ashley was a bright spot
for me -- her visit comes in the
middle of a huge run of bad
luck. I won't bother you with
all the domestic misfortunes (like
broken chair, broken oven, broken DVR,
etc.), but there has been a big long
run of troubles. Taking care of
all these mishaps makes me hate being
a grown-up. They are very
distracting.
Several
of these problems do have direct
impact to my photography. I will
talk about those throughout this
commentary.
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I
really like starting sittings (especially with
new models) by photographing them in the
clothes they wore to my door and then snapping
away while they remove their clothes.
It's obviously exciting, and it gives the
model something to do with her hands.
Here's
Ashley -- beautiful, great face, and a long,
lean, sleek figure. She's sweet &
easy to be around. My first impression
was that we were going to have a good time. |
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This
is fast becoming my favorite
corner. It has great
light, and I've made some
really fun pictures here.
Here's
something I sometimes
do. When I find myself
getting bored or burned out, I
tend to shake things up a
bit. So, here, I'm using
natural light & long-ish
exposures (around a quarter of
a second or more). So
much of my photography is
exercising great control over
the image, but by using the
longer exposure, I'm
relinquishing control to
happenstance.
So,
the blur is intentional.
That's my story, and I'm
sticking to it.
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Ashley
is enthusiastic about removing her
clothing. That's always a good
thing. A couple of other points that
make these images work well -- I'm using a
very wide angle lens, which does good
things: in many of these pictures,
Ashley's lovely long legs look even longer,
and it allows me to hunker down close in this
tight spot. Also, I'm continuing with my
recent decision to keep the camera lens low --
here, the camera is down around Ashley's rib
level. |
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I
am liking the blur. I've got to admit
something -- my recent vision problems are
continuing, and the tiny LCD screen of my
digital camera is difficult for me to see, so
I'm not checking these images closely or often. But
perhaps digital photography is spoiling
me. When I work with film, it's often
two or three sessions in the darkroom before I
get to take a good look at the resulting
images. Still -- that blur is something
special. |
Y'know, many of my
favorite & most creative images involve long exposures. In
fact, I still consider some of my dance
photographs to be some of my best.
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One
problem / challenge with long
exposure people pictures is
that if there isn't enough
blur, the image just looks to
be of poor quality.
Here's an example -- too
little blur. I figure
you've got to have a
significant amount of blur or
no blur at all.
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I do this
"getting started" setup a lot. It is interesting to me
to see how a model undresses. Some are casual &
matter-of-fact about it. Some do a little striptease. Some
take their time. Some don't.
It seems to me that
Ashley was nude in a heartbeat. Simple as that.
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Ashley
has a long, lean figure that
is a pleasure to photograph.
I'm
using the tilting/swinging LCD
screen to frame my
picture. Admittedly, it
is difficult to hold the
camera perfectly horizontal or
vertical when you are holding
it down close to the
floor. Here, I'm not
quite vertical. Oh,
well.
That's
a man thing, I think.
Men & women tend to
compose images
differently. Men tend to
ensure that one edge of an
image is parallel to the
ground, while women are less
concerned about that. (I
play a game -- when I see a
photography, I try to guess
the gender of the photographer
-- I'm right ~80% of the
time).
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I have to admit that,
for me, photography is a cerebral exercise. Some photographers
just react to what they see, and there is merit to that, but I tend to
think about it a lot.
I used to be a
software engineer. By my own admission, I became famous for
making "off-by-one" programming errors. For example,
if I had to design a loop to execute a formula ten times, I would
usually make an error and execute the formula nine or eleven
times. Now this really wasn't a problem -- I knew that I had a
tendency, so when I designed my own testing, I would test all boundary
conditions to make sure that I did it right. (If I caught my
errors before I released the code, my errors didn't
count.)
How does this
relate to photography? Well, everything I do relates to
photography. In this case, I was aware that a low camera
perspective was pleasing to me, so I asked myself, how low can I put
the camera & still produce a pleasing image. In this case, I
put the camera on the floor -- I couldn't get any lower without
digging a hole. And still, I produced an image that I find
pleasing.
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Ashley
is beautiful, sweet, and
enthusiastic. She moves well
& responds well to
direction. You will notice that
she does have tattoos (sometimes I
edit them out, but other times I
don't/can't). I am known for my
aversion to tattoos, but Ashley is a
special case. At the time of
this sitting, Ashley just found out
that she was pregnant, and we have
agreed to document her pregnancy.
These images were made last December,
and I'm drafting these pages in
March. Right now (March), Ashley
is five months pregnant & she is
just beginning to show. In fact,
I photographed her again just
yesterday, and we plan to get together
for a quick (one hour) sitting once a
month until the baby arrives.
Wish her luck!
This
sitting continues with House
Tour
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